'History of Dance Essay\r'

'INTRODUCTION: Once upon a measure there was spring! In terpsichore there argon many rolls. thither is concert bounce, Jazz, Tap, Hip hop, partner dancing, young, and country and western. saltation originated many, many years ago. People use it to express emotions and stories. As succession went on so did smart dance techniques. concert dance came into the land around the fifteenth carbon Italian Renaissance and it slowly became the pricker for all dancing styles. As Albert head said â€Å"dancers are the athletes of God. ” SPEECH: Danced changed throughout the centuries *Centuries* As stated earlier the fifteenth deoxycytidine monophosphate was the beginning of Ballet.\r\nDuring the time of both(prenominal) the 15th and 16th centuries concert dance was still performed in royal courts where meanss would get the sense of hearing to participate. Male dancers were the legal age of dancers during this time period. To represent women in their public presentat ions they wore masks. In the 17th coke King Louis XIV (14th), who also was a dancer, performed in The Sun King concert dance de la nuit. Louis XIV also founded Academie Royale de Musique (The genus Paris Opera. ) Ballet was becoming more mental representation during this time period, and female dancers were becoming the studyity of performers.\r\nThe concert dance Les Indes Galantes (the gallant Indies) was the starting line concert dance to feature women. During the 18th light speed the embodyumes were real extravagant. These costumes included masks, wigs, corsets, and hoop skirts. All were life-size and voluptuous. Two rivals, rebels, and amazing dancers at this time were Marie Camargo and Marie Salle. Marie Camargo started dancing in 1726. Because of Camargo’s gracefulness and facility she ditched the traditional costume by cut her skirt and wearing slippers to improve her techniques (leaps).\r\nSalle who started dancing in 1721, danced in a Moslem costume (gre ek robe like), hair down, and trim to express that dance should be innate and expressed. Both dancers opened many new doors in the public of concert dance. The nineteenth century was the time where ballerinas were the most popular performer in Europe. The Romantic Movement evolved during the 19th Century. Which was concerned with the supernatural foundation of inspirit and magic and often portrayed women as passive and fragile. The use of passe station were increase during this time period.\r\nPointe shoes are satin shoes with wooden blocks in the toes to keep dancers on their toes all the time. Each pointe shoe is constructed to the dancer, no two pointe shoes are alike. As dance move in the centuries it continued to change and flourish. The 20th century was the century where different styles and forms began to break away. Traditional ballet was still there but a more modernized version came into play. In order to move forward from this point you need an understanding of the types and styles there are in ballet *Types and Styles of Ballet*.\r\n in that respect are two styles in ballet and they are story and plotless. Story Ballets, obviously, secernate a story. Between the medical specialty and the dance a story is portrayed. Popular stories told were wonder stories. Another type of ballet is plotless. In a plotless ballet, no story is portrayed. kind of an image is created and aims to cause emotion. The tierce styles of ballet include unblemished, neo- classical, and contemporary. Classical reached its height in the 19th century, when you trust of ballet this is the first topic people normally think about. Many graceful and and flowing executions are depicted in this style.\r\nNeo-Classical Ballet was introduced in the 20th century. Speed and energy in these dances were increased. In this style classical form was manipulated a lot and the rules for classical were broken. contemporaneous Ballet was influenced by the movement of modern danc e. Many new moves and techniques were established. Floor exert and the turning in of the legs was a major change. There was a greater movement and body line in this style. With the ever-changing of ballet through the centuries and the difference in types and styles, five positions and moves were always constant *first principle’s Of Ballet*.\r\nAs a dancer, when I think of ballet I immediately think of the five positions. 1st, 2nd, 3rd, 4th, and 5th. I know, I know not terrible to remember. These positions have been around since the start of ballet in the 15th century. This is the grammar of ballet and the classical building blocks. No matter what century, type, or style of ballet these positions are there. Ballet is a whole new world when you think about it. Theres so oft information that many people do not know. There is information I don’t even know. present are some random and maneuver facts I disc everywhereed.\r\nMindless puniness or surprisingly interestin g? *Mindless trivia or surprisingly interesting? * A professional male dancer lifts over 1 ? tons worth of ballerinas during performances nearly ballerinas go through two to three pairs of pointe shoes a week Tutus cost up to $2,000 to make and take 60 to 90 hours of labor with 100 yards of gimcrack First ballet dancers didn’t dance in tutus or satin shoes-more focused on footwork and positioning 3 hour performance is equivalent to 2 90 splendid soccer games or running 18 miles (and they say dance isn’t a sport).\r\nPointe shoes add a minimum of 7 inches to a dancer A Prima ballerina can execute 32 fouette turns while staying in the kindred place. After pointe shoe is HOT to the equate Those are only a crush of information there is from the world a ballet. CONCLUSION: In conclusion ballet is definitely the backbone to dance. Without its evolution from the 15th Century Italian Renaissance dance would not be where it is now.\r\nWhen you think of ballet donâ€℠¢t think of it as a little thing, ballet is enough of history, it even teaches you many things such as gracefulness, poise, stamina, discipline, and lots of technique. Dancers all around the world are connected to one thing and that is ballet. â€Å"I dance because there is no greater feeling in the world than moving to a piece of music and letting the rest of the world thaw” Unknown You lose yourself and find yourself thank YOU.\r\n'